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FAQ

: Why did you write Dead Head?
The idea for the story came from Natalia Apone, the editor for DEADLY ERRORS as we were having lunch. I had just pitched my next project when she suggested the kernel for DEAD HEAD and said, “If anyone can write that story, it’s you.” It is very high concept and I fell in love with the premise. The problem was building a plot to handle it. Her first suggestion was to use a high-profile politician like the President. That had too many problems, so I ended up with the present story.
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: What is the science or inspiration behind Dead Head?
I’ve always been intrigued with brain/computer interfaces—the science of translating thought into digital information capable of running machines. The past decade has seen tremendous gains in this, and as the book’s Postscript points out, there are at least two companies doing innovative work with severely neurologically damaged humans. Through brain implants, quadriplegics, for example, can now manipulate robotic arms. It’s a great area to write about without entering the science fiction genre.
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: What have you taken from your real-life medical experience to write medical thrillers?
Oh, man... all the operating room and hospital scenes are taken from real-life experience. Obviously, the plots are created from imagination, but many of the characters and situations are from my personal experience. I don’t believe you can write convincingly about a profession—crime, law, medicine—without having lived it.
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: How are you keeping active in the medical field? Or, what is your current schedule like?
My “day job” —medical director of a medical technology company—requires me to stay current in neurology, neurosurgery, and rehabilitation medicine. I also attend sufficient neurosurgical meetings to keep my medical license current. But truly wonderful aspect of my job is I no longer work full time, which allows me days to devote to writing. Even the day I “work,” I still try to do some writing. Hardly a day passes without writing.
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: What are some of the issues facing modern hospitals today?
The biggest issue is staying in business. The cost of providing medical care is so horrendous and the reimbursement so minimal (especially when considering the numbers of people without insurance) the profit margins are slim. There have been multiple attempts to address this problem but all have failed for various reasons. It truly is a crisis that is being ignored. I hate to think of what catastrophe will eventually provoke action to solve the problem.
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: What is new on the medical technology horizon?
Obviously, I’m focused on the brain, so my answer doesn’t consider other organ systems, such as the heart. I’m incredibly enthusiastic with the technology our company—Northstar Neuroscience—has developed and is in the process of evaluating for potential FDA approval. We are using very mild electrical stimulation to help recover arm and hand function lost after stroke. Our preliminary studies are encouraging and if this technology works well, it will provide a revolutionary basis with which to treat various brain disorders.
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: It seems to me that neurosurgery is pretty much a left brain activity and writing is right brain. How does someone make that switch from logical/precise to creative/artistic.

Good question. It’s often asked of me in slightly different way— more like, “Why do so many doctors try to write fiction?” I’m not a believer in parceling out cognition in an either/or manner. By that, I mean I don’t think people are right or left brained. Rather, they have varying degrees of both. Most doctors are smart people and medicine is not conducive to being creative. As a result, physicians often try to express creativity in the arts. I gain tremendous satisfaction creating my plots and characters. But because I’m a scientist first, I may have to work at this harder than someone more naturally creative.
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: You obviously have written two novels now but I'm curious as to how you make such a big career change? Your bio said you've always wanted to write—did you write before the novel other than research/medical papers and reports?
Strangely, I majored in English Lit during pre-med. A decision that caused me unmitigated grief. For example, because of lit classes, I had to take an entire year of physics classes in one summer quarter to stay on track. I’d always wanted to write fiction but never did until several years ago when I came home from making rounds at the hospital and announced to my wife, “I’m going to write a novel.” She collapsed in laughter. I retired to the study and started typing. I guess it was like “coming out.” Wish I’d started sooner.
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: Now that you've dealt with computerized medical records and brain/computer interfaces, what's next? Do you have a third novel in the works? What can you tell us about it?
I’ve always been intrigued with memory, so my next one is FATAL RECALL, a story about transplanting specific memories. The 4th one is titled, STEM SELL and addressed the issue (obviously) of stem cell research and the emotionality surrounding the controversy. Stay tuned.
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DEAD HEAD

Mass Market Paperback:
352 pages
Publisher: Forge Books
(February 6, 2007)
ISBN-10: 0765355965
ISBN-13: 978-0765355966

BUY NOW

............................

DEADLY ERRORS

Publisher: Tor Books
ISBN: 978-0-7653-5167-8

Hardcover out of print.
Paperback available
April 2008.

BUY NOW

 
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